margherita aureli

Nothing There aims to begin to see things not only in 360 degrees but also outside of them, thus shifting the focus no longer to the subject but to everything around him, and to understand how all the space around him can affect and impact him.
It was therefore spontaneous to start with the concept of projection, which is clearly something more peculiar, fragmented and nuanced than the subject itself. It is like his reflection but perceived in some way in motion. Basically I perceive the real, I perceive the subjects, but I simply focus on the sensation they give me.
So all the perceptions and sensations that arise in this path become movements, which take on a connotation of slow motion and are automatically studied as an alteration of human perceptual habits.

The choice of fabrics is also clearly in line with the message and sensations to be communicated, because fluidity is common to both types of movements analyzed, but they are never elusive or fast. Hence, the best representation involved the use of fabrics of medium/heavy weight and not fluid or slippery in the sense of lightness, because fluidity that only on a perceptual level and not a visual one, given therefore by the patterning and lines of the garments, and not by the fabrics.