The collection aims to free female bodies from the ideal postural standards set through the ages. Last year, while in Berlin, I was mesmerized by the coating of a train chair: I decided to translate the optical prints i saw on trains and buses into catsuits. This way I also got the chance to integrate the plastic elements of the seatings, rendered here through orthopedic corsets, the same ones I had to wear when i was 14. I hated wearing my back brace so much that i decided to make it the main character of the collection. This grotesque parade of manes, optical prints and rigid plastic is my way of exploring and exorcise dysmorphia.
