Exaurido was developed around my grandmother's shawl, a person I have never met, but who is regularly REFERENCED in my projects.
By presenting my interpretation of my grandmother, based on my mother's interpretation OF her mother, and yet, SUBMITTING this construction to THE observer's interpretation, the essence of that person becomes distorted over time, despite some objects that belonged to her still exist and have an impact.
The original references are preserved, but memories are dissipated and subverted as soon as they intersect with current references.