The inspirations are many, from the people you see in the cafes of Milan, to the images collected from books, exhibitions and music, which can give you an emotion from which to extract a drawing, or a starting volume, on which to develop the garment. These are the materials we mainly work with.

But perhaps one of the greatest inspirations is history: analyzing how man dressed in past centuries, why he did it, provides me with many ideas and keys of interpretation that I then apply to the present.