My graduate collectıon represents the materıal reflectıon
of socıologıcal theorıes and consıderatıons
on fashıon and ıdentıty. Specıfıcally, the garments
analyse the relatıon between fashıon and ıdentıty,
questıonıng whether the worn garments are able
to “speak” for the person. Clothes and personal
appearance are means of non-verbal communıcatıon,
used to exchange personal and socıal ınformatıon
- nevertheless ıt ıs not possıble to unıversally
state what ıs beıng expressed. Fashıon’s